but not today.

rival  m.c.s and their entourages are the subject of the fictional a hip hop story, more west side story than romeo and juliet, there is an ill-fated romance involved. i really have mixed feeling about this book. i thought the idea was good and the characters are believable. heru ptah has a good message, and i was a bit surprised by the ending. the issues are in the storytelling, the writing isn’t strong enough and the plot development was often too simple or cliched. i wanted it to be a bit edgier, as much as i hate to say it. good book, just flawed.

pills, especially downers.

i’ve been waiting to see this play. after august: osage county opened i read the review of it in the new york times. so i’ll just let that review speak for the play. go here read it now, then come back.  while the cast was completely different for the production i saw, they were still spectacular. they created such an air of tense apprehension and controlled it beautifully. the production was incredible, i cannot recommend this play more.

chest bumps, for real…

in a different post i said musicals couldn’t be all bad. i was wrong.

jane a theater company put on a production of sondheim’s company. it was terrible, just terrible. they were all oversinging when not being drowned out by the orchestra. they were all overacting on a terribly designed stage with horrible lighting. we walked out at intermission. that is all.

a night out with the…

after the amazing success of suburban death of a salesman, we decided to try out bingo the musical at the broadway rose theater in tigard. the papers all gave it good reviews, and it was a musical so it couldn’t be all bad. plus look at that picture, how could that picture lead us to a bad time. i decided that my favorite one was the red one, because she looks like the slutty one. did i mention that it was interactive?  oh yes we, played bingo. did you know there is more than one kind?

again we were surprised by a brand new theater and a well acted production. the story was simple involving a group of friends trapped in a bingo hall during a vicious rain storm, possibly in florida. the songs weren’t the most creative ever, but they were a lot of fun. stangely one of the best songs was a song from a fictional musical version of one flew over the cuckoo’s nest. while the show wasn’t spectacular it was amazing fun.

salesman from brooklyn.

to see death of a salesman leslie and i took a trip out to the venetian theater and bistro in hillsboro. we went thinking it was going to be dinner theater, based on the name and the website. we were misled. the venetian is actually a nice looking restaurant with a great new theater behind it. the bag and baggage production company were the troupe putting on death of a salesman. we were a bit worried about this, we were in the suburbs after all, but it was amazing. the acting was first class, all the mains truly embodied their characters. we were torn apart by a couple of the monologues.  the staging was simple and creative, which were enhanced by the clever use of spotlights. we walked out believers in suburban theater.

goodbye twelve.

leslie is soon moving to laos, so before she goes we have been on an unspoken mission to see as much theater as we can. that brought us to stumptown stages production of a chorus line at jefferson high school. this was regional theater at it’s finest,  awkward acting, misstepped choreography, and some out of tune singing. what saved this production was their heart, they all really loved doing it, and were having a ball. there were a couple of stars, but what we’ll remember the most is the camel toe. we had a blast at this show.

lil coalhouse.

a musical always opens the portland center stage’s season, this year it’s ragtime. set in 1906 ragtime tells the story of three families in new york; one waspy from new rochelle, one black from harlem, and the last are immigrants from poland. their lives intertwine in abstract ways which profoundly effect them.

the cast was perfect, they’ve got some great voices. the musical numbers are obviously scaled back, but still have ton of life. of course there is ragtime, but jazz and marches also influence the score. and what a score it is, rooted in classic musical (think carousel or showboat) it has elements of steven soundheim and philip glass, just enough to give it a modern sound. the staging, using only three sets of iron gates and a couple of chairs, was inventive. the huge presence of the gates helps with serious overtones of the story. it was a fantastic night at the theater.

i have to thank portland center stage for having those last-minute rush tickets. my theater going friend leslie and i have seen the majority of the productions at pcs over the last two years, not once have we been let down.

one night i saw boobs.

still playing catch up, i can’t believe it’s been three weeks since i went to see erase errata and the again reformed team dresch. i was really excited for this show i just knew it was going to a lot of fun. erase errata i’ve seen four or five times and always had a great time. years ago i saw team dresch and remember them being awesome. i had faith that even though neither of them have been particularly active for the last couple of years, they would be in solid form.

i like rotture as a venue. it’s a good size and has a good outside balcony (usually full of smokers). i was glad to see that they raised the stage, seeing was a problem sometimes. the crowd was elated and possibly one of the friendliest crowds i’ve experienced since moving to portland. the first two bands were good and well received, but i can’t remember a thing about them.

when erase errata came on it was just like old times again. the reason i love erase errata is because they have a sound and spirit that is akin to the great post punk/no wave bands; the pop group, the slits, the index (who are really proto and way ahead of their time), come on, devo, the raincoats. it’s a sound i’ve always connected to. erase errata played kind of a greatest hits show, energy was high, and they sounded as tight as ever. it was one their best shows i’ve seen. i really got my twitch on, and so did beth ditto, who was standing next to me. sadly there were no new songs or promise of a new album.

team dresch had been in the crowd all night so it wasn’t a big deal when they took the stage no one paid attention until they started playing. they also stuck to the greatest hits format, and the crowd knew every word.  my favorite songs were alway the kaia ones, so i was glad that i was standing next to her. they rocked it like it was still 1997. some of the women in the crowd were so excited they took there shirts off and i got to see boobies for the first time in a while. including those of jenny hoyston, the lead singer of erase errrata, she had replaced beth ditto next to me.

when the show ended, sometime after one a.m., i was in such a great mood that i had a very enjoyable bike ride home.

tiny positioning movements of independent life.

i wish all series could end as well as the xenogenesis trilogy does with imago. octavia butler ended the series with it’s strongest book. the human/oankali symbiotic relationship comes to an apex with the creation of jodah, a perfect ooloi/human hybrid. no one is sure what to think of it, some are happy, most are threatened. the majority wants it to leave earth, so it’s family go into hiding, letting jodah mature and prove it’s no threat. i can’t get over octavia’s imagination and ability to layer complex issues into a story line. i’m enamoured by her style.

they’ve come a long way.

i had some apprehension about going to cocorosie, the last time i saw them i was not very happy about the show. they had a full band and a beatboxer with them. the beatboxer was distracting, and too loud in the mix. the band was sloppy, they never seemed to get it together and the show was a mess. in the end i decided to go, it helped that i like the aladdin theater. i was also lucky enough to have don accompany me.

when don and i got to the aladdin  we were struck by the dress of the crowd, there were a lot of creative outfits. cocorosie seems to have accumulated and interesting collection of fans. we settled into some seats mid way through the opening act, katie stelmanis. they had an electro riot grrl sound, think sleater-kinney working with neu!. i enjoyed them. no need to own the records, but i would see them again.

as the time for cocorosie to come out came near, the sold out crowd headed toward the stage. don and i abandoned our seats and moved several rows up and had and excellent view. i could already feel that it was going to be a good show. the crowd seemed to be in a great mood, no matter what everyone was going to leave happy. the venue darkened and cocorosie walked on stage. at first it was just bianca and sierra, playing on a near black stage. they played two songs,  i couldn’t tell you the names. they were operatic and reminded me of the first time i saw them. piano, modified toy samples and vocals. it was fantastic, and a great way to start the show.

the band, piano, bass and beatboxer, have a name but i don’t remember it. i’m pretty sure the beatboxer’s name is spleen. sierra was on the piano or harp, bianca manned a station of modified toys and samplers. they both contributed their own style of vocals, sierra’s operatic vocal skills sounded fantastic and filled the hall, bianca’s squeaky childlike hip-hop influenced cadence was just creepy enough. the acoustics of the aladdin really worked for them,  to me the aladdin always contributes a “church hall” effect.

i couldn’t even come close to a set list. i recognised quite a few of the songs, i’ve never memorized coocrosie’s song titles. the new songs are stunning, and a great new direction for them. they’re getting a lot clearer in their vision of hip hop/opera/minimalist avant-garde. the current band set up is the best i’ve seen of them. the beatboxer was remarkable, he added such texture and rhythm, without ever being obtrusive. he performed a solo in one song that floored the crowd, it took about thirty seconds for the applause to start. the other members of the band were always on point with the rest, talented guys. they just didn’t stand out. for a group as creative as coocrosie, i was let down by the visuals. the lighting was competent, but the video was a collection of short clips only lasting 15-20 minutes total, projected on a screen most of the time. we probably watched the loop 5 or six times.

we left that night totally in love with cocorosie. and like i thought everyone left happy.